Generally, great writers are eclectic. Each tightly focuses his oeuvre on one idea, a single subject that ignites his passion, a subject he pursues with beautiful variation through a lifetime of work. Hemingway, for example, was fascinated with the question of how to face death. After he witnessed the suicide of his father, it became the central theme, not only of his writing, but of his life. He chased death in war, in sport, on safari, until finally, putting a shotgun in his mouth, he found it – Robert McKee in his book Story: substance, structure, style, and the principles of screenwriting
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